Mischievously, even maliciously he, indiscriminately and is indifferent to the pain and, confusion he causes. Law. Bermejazo platero de las cumbres. Gaudí’s El Capricho. concerns of the society in which he moves. • The drama’s power comes from its rapid pace. Velázquez. Góngora. The Trickster of Seville is a play written by Spanish playwright Tirso de Molina, which premiered sometime between 1616 and 1630. All Rights Reserved. Day 5. Las Hilanderas or The Fable of Arachne. People’s opinion mattered. Llama de amor viva. Travel 2017. 1315-18). Trickster of Seville Allegory The play itself is an allegory of Baudron's earlier work, "The Trickster of Seville", which told basically the same story of an amusing and entertaining character who uses disguises as a way of engineering the romantic outcome that he desires. To destroy a woman’s honour, then, was to destroy the honour and social standing of the man who protected her, leaving him open to public ridicule. Early Background. Garcilaso de la Vega. Information on The Trickster of Seville and the Stone Guest by Tirso de Molina. Spain after the Civil War. Comillas. Poema or Cantar de Mío Cid (Song of the Cid). Don Quixote and the Real World. Zorrilla's Don JuanTenorio shifts away from the moralistic theme of Tirso de Molina's play. Idearium español. Second Spanish Republic. Lost honour could be recovered legally or by challenging and (hopefully!) History of the Jews in Spain.14th-Century. (Both women might be criticised as naïve or gullible, but –it should be remembered— Don Juan is a diabolical figure gifted with extraordinary persuasive powers.). History of Spain.18th Century. GRANADA Spain from the 17th to 20th Century. In other words, to dishonour a daughter, fiancée, wife or any woman under a man’s protection was to dishonour that man. He is a liar, bully (threatens to kill Batricio Act III, ll. Alfonso X. El Sabio: Histories and Translations. He abuses his friendship with and is disloyal to the Duke Octavio and the Marqués de la Mota, in each case seducing their respective loves, Isabela and Ana, and leaving both to face imprisonment or death (Octavio Act I, ll. [The fact that El Burlador’s action is set chronologically in the 14th century is a distancing technique to avoid implicating contemporary nobility or royalty directly.]. Generation of 1898. Moliere’s. Alemán. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. San Baudelio. Golden Age Art: Religion, Politics, Art in the 16th Century. But is the society in which he moves any more honourable? New Epic or Novel? Characters: Pepe el Romano. Spanish Society as Depicted in The Trickster of Seville by Tirso de Molina: Women’s Position, Politics and Religion as Depicted in the Play I. The Trickster of Seville and the Stone Guest / El burlador de Sevilla y el convidado de piedra, ed. He swears he will marry Tisbea: Behind the sexual proclivities of these characters, and Don Juan’s seductions, there is a critique of the honour code and a scathing swipe at aristocratic values and court favouritism. The defence of a woman’s honour –and by extension her protector’s honour– is metaphorically expressed in military terms. In El burlador …, Don Juan’s seduction of Isabela, Ana, and Aminta attacks the honour of Octavio (Isabela’s lover), Don Gonzalo (Ana’s father) and Batricio (Aminta’s husband).**. 250+, Mota Act II, ll. Warminster, Aris and Phillips . The Trickster of Seville is thoroughly representative of the drama of Spain's Golden Age: a drama of fast-moving action which set its face against classical precepts, broke the unities of time and place, cheerfully mixed the serious and the comic, combined main and sub-plots, and cultivated Spanish subjects and Spanish characters. A 19th century version, Don Juan Tenorio (1844) by José Zorrilla (1817-1893) –in which a repentant Don Juan is saved through the undying love of the dead Inés– became immensely popular. Acts II and III. Please enable Cookies and reload the page. Characteristics. Your IP: 144.217.178.226 The argument is put forward early in the play by the king of Naples after discovering the illicit tryst between Isabela and (supposedly) the Duke Octavio (in fact the seducer was Don Juan) in his palace: To destroy a woman’s honour, then, was to destroy the honour and social standing of the man who protected her, leaving him open to public ridicule. Angel Ganivet (1865-1898). Isabela, Tisbea (Act III, ll. Through Tirso’s tragedy, Don Juan became an archetypcal character in the West, as familiar as Don Quixote, Hamlet,…. 1875-77), cruel, disloyal, disobedient, and dishonourable. Moliere’s Dom Juan, 1665, George Bernard Shaw’s Man and Superman, 1903), poetry (Lord Byron’s epic satire Don Juan 1819-1824), opera (Mozart’s Don Giovanni, 1787). 14th century. Copyright © 2009 Spain Then and Now. Gies, David T. ed. It is still traditionally performed on All Soul’s Eve (Halloween) in Madrid. Also, Don Juan is clearly a trickster, in all senses of the word. Second Spanish Republic. Travel 2013. History of the Jews in Spain to 13th Century. His road to fame is founded squarely on his success in depriving his victims of honour, one of the most potent … Spanish Ballads. Mars. An Authoritarian’s Nightmare. Madrid, Cátedra The Kharjas: Early Lyrical Poetry in Spain. Mientras por competir… Analysis. In Seville, Don Juan’s father, Don Diego, is the most powerful figure in the court after the king, a matter that Don Juan plays to his advantage. Velázquez (1599-1660). Casa Batlló, Park Güell, La Pedrera. 2016. The Seville Years. Charles V’s Palace in the Alhambra. Its title varies according to the English translation, and it has also been published under the titles The Seducer of Seville and the Stone Guest and The Playboy of Seville and the Stone Guest. By birth, he is noble; however, his conduct is anything but honourable. Religion. History of Spain.18th Century. The inference is clear, and points to corruption within the court. A Gem of Mozarabic Architecture. International Relations. Unlike his equally famous literary contemporary, Don Quixote, who seeks fame “helping widows and protecting maidens” (Don Quixote, I, 9, 92), Don Juan seeks fame as “as the Seducer (of Seville)” (ll. Day 2. Spain Golden Age Literature. The gullible Aminta hits the nail on the head when she asserts that, The particular emphasis on divine justice regarding Don Juan’s predatory pursuits narrows Tirso’s focus even more: the play is basically a theological work addressing a widespread preoccupation in the Catholic Church at the time: the argument over free will, God’s grace and predestination, and the importance of “. Spain. Tirso de Molina. Immediately download the The Trickster of Seville and the Stone Guest summary, chapter-by-chapter analysis, book notes, essays, quotes, character descriptions, lesson plans, and more - everything you need for studying or teaching The Trickster of Seville and the Stone Guest. Al-Andalus: 10th Century. The House of Bernarda Alba: The House. Second Spanish Republic. He has appeared in drama (e.g. Characters: La Poncia. Nov1933-Feb1936. Member of the religious Order of Mercy, Tirso ranks with Lope de Vega and Pedro Calderón de la Barca as the most outstanding dramatist of Spain’s Golden Age. El burlador de Sevilla significa la irrupción en la literatura de uno de sus grandes mitos, el de don Juan, el aristócrata amoral y cínico que seduce mujeres por el mero hecho de conquistarlas. Arab Moorish Influence on Agriculture in Al-Andalus. Velázquez and Classical Mythology. Vision of St. John. Abd al-Rahman III. Overview (2). En tanto que de rosa… Analysis. Bacchus. Velázquez. Golden Age Architecture. Family and friends, too, are fair game in his pursuit of personal gratification. The gullible Aminta hits the nail on the head when she asserts that “Shamelessness has become/ nobility in Spain” (Act III, ll. Often seen as a distinction between Catholicism and Protestantism, the argument was also fought out in Catholic circles particularly between the Jesuits and the Dominicans, the former favouring free will and the latter leaning more towards predestination. Bodegones and Daily Life. Gwynne Edwards [bilingual edition in … Later, however, when Octavio learns the identity of man who dishonoured him (i.e. [1] Evidence suggests that it was the first written version of the Don Juan legend. and trans. Performance & security by Cloudflare, Please complete the security check to access. Portuguese galleons. Of the various strands of honour that appear in Golden Age comedia (e.g. Don Juan is the Trickster of Seville: "My greatest pleasure is to trick women, leaving them dishonored."